17th Biennale of Sydney | Newsletter Text, 2013-2014 | Newsletter Text, 2011-2012 | Newsletter Essay, 2009-2010
de Santanico Pandemonium y el Vaquero, la Vampira del Rio y la Pirateria (of Santanico Pandemonium and Cowboy, the River Vampire and Piracy)
acrylic, graphite, charcoal, transfer, wood, 2012, 72" x 96"
At the disco at the end of the world
acrylic, graphite, charcoal, transfer, wood, 2012, 48" x 24"
de Heart of Darkness (from Heart of Darkness)
acrylic, graphite, charcoal, transfer, wood, 2013, 48" x 36"
de Agent Smith y Noa Noa, el joven conductor sistemico (from Agent Smith and Noa Noa, the systemic youth conductor)
de la Agente Federal y el Rojo, la Emperatriz (of Federal Agent and Red, the Empress)
acrylic, graphite, charcoal, transfer, wood, 2010, 2 @ 48" x 36"
de la Nortena y el Primer Ministro, la Mutacion (of Northerner and Prime Minister, the Mutation)
acrylic, graphite, charcoal, transfer, wood, 2011, 48" x 36"
de la Jacqueline y el Cesar, la Gloria (of Jacqueline and Cesar, G-L-O-R-I-A)
acrylic, graphite, charcoal, transfer, wood, 2010, 48" x 36"
de Clonacion y el Detective, el Mimico (of Cloning and the Detective, the Mimic)
de Amor Prohibido y el Anarquista, el Emcee 2.0 (of Forbidden Love and Anarchist, the Emcee 2.0)
acrylic, graphite, charcoal, transfer, wood, 2012, 48" x 36"
de la Governatura Suprema y Jefe Saddle Blazing, se convierte en Marciano (of the Supreme Governance and Chief Saddle Blazing, it turned into a Martian)
Diceño de chichiMeco (Design of chichiMeco)
De una Diosa y Marcos, el Doble Agente (of a Goddess and Marcos, the Double Agent)
de la Gran Madre y un Duke, la Hibrida (of the Great Mother and a Duke, the Hybrid)
