My practice is inspired by the patterns of nature and the way objects can record and extend our lives. My work, based on familiar forms like trees and vessels, argues for the pleasure found in beauty, and the power of material and form. Using a process that is accumulative and direct, joining small parts together into a larger body, I work to create a sense of movement within still objects. Within this structured movement there resides the potential for change. These works serve as a reminder of our own place in the natural world; no matter how carefully we construct and manage our daily experiences, life will not leave us alone or untouched by change.
Trained as a metalsmith, Kim Cridler was an undergraduate at the University of Michigan, earned an MFA in Metals from the State University of New York at New Paltz, and studied at Skowhegan School of Sculpture and Painting. Kim has taught in art programs across the country including the University of Wisconsin-Madison, the University of Michigan, San Diego State University, Arizona State University, Arrowmont School of Arts and Crafts and the Penland School of Crafts. Her work can be found in the public collections including the Arkansas Art Center Decorative Museum of Art, the Chazen Art Museum, the collection of the Grand Valley State University, the Phoenix Office of Arts and Culture, the collection of the Metropolitan Transportation Authority, NYC, the Museum of Fine Arts Houston, the Racine Art Museum, the Samuel Dorsky Museum of Art, the Scottsdale Contemporary Museum of Art, and the University of Wisconsin-Oshkosh.